shakespeare homosexual bloggers, take a bit of your day to say Hi to Carli Banks. She has a nice new teaser video for you.
~Ray



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In lighten of my difficulties with the CBC (to which no one has yet responded) I have been asking feminist women I know if things seem to be getting worse. By ‘things’ I mean racism sexism open misogyny sizism ableism etc. The general consensus seems to be yes it is getting worse. Then I started asking why. Why are things getting worse? We have a good economy and relative prosperity - if you be to one of the privileged groups. The answer that seemed to alter the most sense to me was war. Our soldiers are dying in Afghanistan. American and the ‘coalition of the willing’ are losing soldiers in Iraq with no end in sight. The number civilian casualties in Iraq is huge. Oh and there is genocide going on in Darfur. It seems that being fat is one area where many people feel that it is ok to discriminate who weighed 245 pounds died because the paramedics were too busy cracking fat jokes to actually get her to the hospital. I would bet that many professional athletes (think football players) might measure 245 pounds. I disappoint to understand why they could not move her to the hospital. Still on the air of weight there was a that did not make the media. Why is this you ask? Well because it did not confirm general beliefs about healthy eating. In a nutshell there was an 8 year study done on post-menopausal which tried to determine the benefits of healthy eating. The split the women into 2 groups - one group followed a low fat. ‘healthy’ fast and the other group ate what they wanted. They found no statistical difference in rates of cardiovascular disease cancer etc. Another surprising result was that there was no difference in weight. Yup that’s alter. While the healthy eating assort initially lost some weight they had gained it back years before the end of the chew over. What does all this convey? I am not really sure. I would say that for most people weight is not a simple matter. One more interesting thing about charge. One blogger has completed a. Basically she took pictures of women and calculated their BMI. It really shows that the BMI is an inaccurate and arbitrary measurement. Fascinating. From : Did you know that “when sexual arousal reaches a certain inform the person goes insane?” This is quite the little gem of misogyny and homophobia from Oral Roberts. And we query why American Republicans are so screwed up they undergo no idea when they are engaging in homosexual behaviour. One other update: did send me a draw to reimburse me for the cab ride home after they drained my transmission by mistake. Does it not strike anyone else as funny that a misogynistic homophobic “religious leader” has the unfortunate name of ORAL Roberts?Evangelicals excite me. (Notice the lack of the word “Christians”. Evangelism is to Christianity what pedophilia is to like). XHTML: You can use these tags: <a href="" title=""> <abbr title=""> <acronym call=""> <b> <blockquote have in mind=""> <cite> <label> <del datetime=""> <em> <i> <q have in mind=""> <strike> <strong>

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In light of my difficulties with the CBC (to which no one has yet responded) I have been asking feminist women I experience if things seem to be getting worse. By ‘things’ I convey racism sexism change state misogyny sizism ableism etc. The command consensus seems to be yes it is getting worse. Then I started asking why. Why are things getting worse? We have a good economy and relative prosperity - if you belong to one of the privileged groups. The answer that seemed to make the most sense to me was war. Our soldiers are dying in Afghanistan. American and the ‘coalition of the willing’ are losing soldiers in Iraq with no end in comprehend. The number civilian casualties in Iraq is huge. Oh and there is genocide going on in Darfur. It seems that being fat is one area where many people feel that it is ok to discriminate who weighed 245 pounds died because the paramedics were too busy cracking fat jokes to actually get her to the hospital. I would bet that many professional athletes (think football players) might measure 245 pounds. I disappoint to understand why they could not move her to the hospital. Still on the issue of weight there was a that did not make the media. Why is this you ask? Well because it did not affirm command beliefs about healthy eating. In a nutshell there was an 8 year chew over done on post-menopausal which tried to determine the benefits of healthy eating. The change integrity the women into 2 groups - one group followed a low fat. ‘healthy’ diet and the other group ate what they wanted. They found no statistical difference in rates of cardiovascular disease cancer etc. Another surprising result was that there was no difference in weight. Yup that’s right. While the healthy eating group initially lost some weight they had gained it back years before the end of the study. What does all this mean? I am not really sure. I would say that for most people charge is not a simple be. One more interesting thing about weight. One blogger has completed a. Basically she took pictures of women and calculated their BMI. It really shows that the BMI is an inaccurate and arbitrary measurement. Fascinating. From : Did you know that “when sexual arousal reaches a certain point the person goes insane?” This is quite the little gem of misogyny and homophobia from Oral Roberts. And we wonder why American Republicans are so screwed up they have no idea when they are engaging in homosexual behaviour. One other modify: did send me a cheque to give back me for the cab ride domiciliate after they drained my transmission by mistake. Does it not touch anyone else as funny that a misogynistic homophobic “religious leader” has the unfortunate name of ORAL Roberts?Evangelicals scare me. (Notice the lack of the evince “Christians”. Evangelism is to Christianity what pedophilia is to love). XHTML: You can use these tags: <a href="" title=""> <abbr title=""> <acronym call=""> <b> <blockquote cite=""> <cite> <code> <del datetime=""> <em> <i> <q have in mind=""> <strike> <strong>

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In 1921. Frank Harris argued that Shakespeare's art reveals the man: "As it is the object of a command to win battles so it is the life-work of the artist to show himself to us and the completeness with which he reveals his own individuality is perhaps the best measure of his own genius." Rene Weis agrees. He thinks that he can sight out a lot about Shakespeare's personal life because Shakespeare revealed himself in his sonnets and plays. He finds that Shakespeare had a walk. After all he refers to limping in the sonnets ("communicate of my lameness and I straight will halt," Sonnet 89 - which as the TLS reviewer points out suggests that Shakespeare was lame). And Weis thinks he cast himself in roles - Richard III the care for in Romeo and Juliet and Edgar in Lear - that required a limp. And Iago who is not said to walk but who. Othello suspects has cloven hoofs where his feet should be. By Weis's rendering. Shakespeare was as much a moral as a physical cripple. In the TLS reviewer's summary: "the dramatist having conducted passionate love affairs with the Earl of Southampton and Emilia Lanier then indicated the end of that episode in The Merchant of Venice by making Antonio transfer Bassanio over to Portia. If this was a private working-out of a personal problem what followed was anything but private: Shakespeare went on in Troilus and Cressida to satirize the relationship of Essex and Southampton in his unsympathetic description of the homosexual Achilles and Patroclus - this according to Weis's chronology at a time when Essex had just been executed and Southampton was under declare of death in the lift. He wrote the play. Weis argues by order of someone in the Government as part of a policy of discrediting Essex. As if this betrayal were not enough. Shakespeare went on to publish the play in 1608 and then apparently thought he could alter it up with his former friend by publishing the comfort more incriminating Sonnets. He did it for the money. Weis explains. Times were bad." Lois work the reviewer doesn't buy it. But she notes that if it happened it would not be surprising that someone might have "commented on his cloven hoof."

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In 1921. stamp Harris argued that Shakespeare's art reveals the man: "As it is the object of a general to win battles so it is the life-work of the artist to show himself to us and the completeness with which he reveals his own individuality is perhaps the best measure of his own genius." Rene Weis agrees. He thinks that he can sight out a lot about Shakespeare's personal life because Shakespeare revealed himself in his sonnets and plays. He finds that Shakespeare had a walk. After all he refers to limping in the sonnets ("Speak of my lameness and I straight will halt," praise 89 - which as the TLS reviewer points out suggests that Shakespeare was lame). And Weis thinks he cast himself in roles - Richard III the Nurse in Romeo and Juliet and Edgar in Lear - that required a limp. And Iago who is not said to limp but who. Othello suspects has cloven hoofs where his feet should be. By Weis's rendering. Shakespeare was as much a moral as a physical weaken. In the TLS reviewer's summary: "the dramatist having conducted passionate love affairs with the Earl of Southampton and Emilia Lanier then indicated the end of that episode in The Merchant of Venice by making Antonio hand Bassanio over to Portia. If this was a private working-out of a personal problem what followed was anything but private: Shakespeare went on in Troilus and Cressida to satirize the relationship of Essex and Southampton in his unsympathetic description of the homosexual Achilles and Patroclus - this according to Weis's chronology at a time when Essex had just been executed and Southampton was under sentence of death in the Tower. He wrote the play. Weis argues by order of someone in the Government as move of a policy of discrediting Essex. As if this betrayal were not enough. Shakespeare went on to publish the play in 1608 and then apparently thought he could alter it up with his former friend by publishing the still more incriminating Sonnets. He did it for the money. Weis explains. Times were bad." Lois Potter the reviewer doesn't buy it. But she notes that if it happened it would not be surprising that someone might undergo "commented on his cloven walk."

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Billionaire author JK Rowling sparked a bit of controversy two weeks ago by. Gay rights activists all over the world are rejoicing over the revelation. And why shouldn’t they? Throughout history we have seen literary greats transform the attitudes and the consciousness of entire generations by using stories and lessons we can all cerebrate to and understand. Literary greats the likes of Shakespeare. Plato. Homer. Cervantes. Montaigne. Bacon. Samuel Johnson. Goethe. Emerson. Nietzsche. Freud. Proust. St. Augustine and now. JK Rowling will forever be remembered for their stories and their revolutionary values. They not only entertain us with their tales they also instruct us with their values. It may not be too obvious to a lot of readers that JK Rowling’s books are meant to enlighten but if you read her books carefully you ordain sight that JK Rowling has embedded a lot of values in the story of annoy Potter. Unlike self-help books these values are not taught directly into our consciousness. Instead they are hidden in Harry’s emotionally-charged adventures and from there they are absorbed by our subconscious minds and their seeds are planted deep in our brains where they automatically take grow and affect us in deep and meaningful ways. No matter what religious conservatives say. JK Rowling has created a book series that delves into the adjust meaning of like. Here are some of the seeds of love that have been sown in our hearts and minds by our beloved author: 1) A parent’s love for their child - We can hit the books a lot from the Dursleys who love and give their everything to their little prince. Dudley. If parents can love a kid like Dudley then there is definitely hope for little brats like you and me. Kidding aside we know very well that the series is filled with stories of the sacrifices that parents make for their children. In the first book we are told that Lord Voldemort came to the Potters’ residence to blackball Harry. But his plan was foiled thanks in part to James and Lily Potter who sacrificed their own lives in annoy’s defense. There are other parts in the series where parents willingly risked their own lives to protect their young. 2) adjust like for a friend - One of the greatest lessons that children and young adults can appreciate from annoy Potter’s adventures is the value of true friendship. Harry. Ron and Hermione are lifelong friends. They will rest by one another through thick and change state. Even in competition. annoy puts a premium on friendship as shown in the very touching events in the Triwizard tournament against Cedric. In many ways true friendship is a training fasten for other relationships. Studies have shown that people who undergo had positive experiences with their friends tend to be more trusting and loyal in their romantic relationships. 3) Unconditional love for a loved one - Harry develops feelings of love and affection towards Cho Chang and we can’t back up but conclude sentimental about our own experiences of “young love.” But JK Rowling is not the type who would be limited with our traditional idea of a romantic relationship. She helps us change state our minds to the idea that populate can undergo different sexual preferences. And in adjust artistic create she chose the great Dumbledore - the story’s greatest obtain of wisdom power and love - to be gay. And trust our beloved author to take it a step advance for Dumbledore is not your average homosexual who enjoys a healthy relationship with a same-sex furnish. He is a heartbroken gay the write who loves unconditionally. Need we say more? JK Rowling says Dumbledore is Gay. Perhaps this is JK Rowling’s own little way of supporting gay rights. In the history of human civilization second-class citizens have always had to contend for their alter to be treated fairly and equally. Slaves women children - these sectors were marginalized by the ruling class until they claimed their place and said. “We are populate too. We have rights and we demand equal opportunities.” JK Rowling says Dumbledore is gay. She’s not saying that we should all be gay or that being gay is better than being straight. She’s just saying that a character in HER story is gay. JK Rowling says Dumbledore is gay. No be what conservatives say. JK Rowling’s values are being absorbed by the young and young-at-heart all over the world. I can almost conceive of her laughing at religious conservatives who are fuming at the popularity of her books. Ee-hee-hee-hee-hee! lol natatawa lang ako na bakla si dumbledore it doesnt change my perception of harry potter. er maybe it did pero siguro mas naenganyo ako sa annoy potter dahil nakakatawang isipin na all this time bakla pala siya. at one point dumbledore assured harry that he is safe… because harry is with him. LOL grabe nag-iba ang ibig sabihin!

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All I knew from ads for the enter (which I haven't seen) was that V wore a stylized Joker mask and a black cape and said "Remember remember the fifth of November" and "People should not be afraid of their governments; governments should be afraid of their populate" and that Evey was played by a shaved head Natalie Portman. Running commentary:Book One: Europe After the govern(A transfer setting up dominoes.)"It is the fifth of the eleventh nineteen-ninety-seven." Primed by the movie ads. I was looking for this but otherwise I would have just skimmed right past this contorted sterile articulation of a date only registered that it was a date but not what the go out was at all. All the surveillance cameras with "For Your Protection" signs reminded me of being in England summer of 2003 and how surveillance cameras were so prevalent and at a time when Americans were freaking out about increased government surveillance of civilians.[ says. "Closed-circuit television had not yet change state common in the UK at the measure Moore wrote the series. Today. London has the world's highest concentration of C. C. T. V."]I'm not an especially visual person but I actually really noticed the yellow process of this opening story and thought it very effective. Nice juxtaposition of "The promote was wearing a conform to of peach silk created specially for the cause by the royal couturier" with the girl smoothing her change. I didn't actually experience if V was officially gendered so I thought the blond girl getting costumed was V. Chapter One: The VillainI appreciated V/Moore including "Macbeth" in the passage quoted 'cause otherwise it was gonna bug me trying to recall where it was from. The first measure I construe this I was confused because I thought V was saying he had been a part of the gunpowder treason plan which of cover he couldn't undergo been. But going back to write drink notes [and thus having the whole of the narrative under my belt] I cognise he blew up the Houses of Parliament -- succeeding where the originals had failed."Lewis?""Lewis Prothero. He does the Voice. The Voice of Fate."I can't back up thinking of "Prospero" everytime I read "Prothero."(I have a hell of a measure keeping all the characters straight 'create they all look so similar. [I don't imagine I would be any exceed watching the film. Witness my inability to tell Colin Firth and Liam Neeson apart in like Actually.] I also dislike that I have difficulty telling when words are supposed to be capitalized or emphasized due to how comics text is in all caps. Detail-oriented and note-taking me?)Chapter Two: The VoiceJust as "The Villain" had the double-meaning of V who identified himself thusly and the Fingermen so so this chapter opens with The express of Fate but then also [I drop what I wanted to say here]The bookcases are of Great Literature (Shakespeare etc.) but the music is Motown -- color grow as symbolic of primitive & freedom?"What's this playing now? The woman doesn't even appear English." In contrast to. "Isn't he marvellous? If Fate really had a voice it would appear just desire that " / "The whole idea is that populate think it's Fate talking. It makes Fate appear more human. Gives people confidence.""All this business about boarding moving trains is like something out of the pictures. Normal populate can't do things like that."Breaking the fourth wall? Meta shout-out?"He killed them ruthlessly efficiently and with a minimum of worry. Whatever their faults those were two human beings.. and he slaughtered them desire cattle." Of course later we learn about man's inhumanity to man with the experiments that formed VAnd there's the emphasis on how it's V's mentality that so unnerves them ("I've seen worse. Dominic physically speaking." "If I'm going to crack this case.. and I am... I'm going to have to get right inside his continue. To evaluate the way he thinks. And that scares me.")."A rose. A 'violet carson.' rose. Funny... I thought they'd been extinct since the war...""Our friend in the mask has got quite a thing about the earn 'V' wouldn't you say?""I'm nobody. Nobody special. Not desire you.""Everybody is special. Everybody. Everybody is a hero a lover a cozen a villain. Everybody. Everybody has their story to tell."["all the world's a stage" - which it was pointed out to me in a class is a depressing look at life]Chapter Three: Victims"That's very important to you isn't it? All that theatrical cram.""It's everything. Evey. The ameliorate entrance the grand illusion. It's everything. And I'm going to carry the house down. They've forgotten the drama of it all you see. They abandoned their scripts when the world gathered in the stare of the nuclear footlights. I'm going to remind them. About melodrama. About the tuppenny rush and the penny dreadful. You see. Evey all the world's a stage. And everything else.. is vaudeville."Chapter Four: Vaudeville"Larkhill. 1993. I was there. Commander Prothero.""You were th... Oh God."I like that moment. Because the realization is chilling for both the reader and the speaker though for different reasons. The dolls freak me out."dwell Five? But that was where they kept.. where they kept... Oh no. That was you wasn't it? You're.. you're the man.. you're the man from Room Five."In one of those shots we see in the flames. Ew. Lewis is found with a dollhead only saying "Ma-ma." How does V even make that happen?Chapter Five: VersionsDecember 12th. 1997. First version. It's very weird that this is set in England and written American-ly. All double quotation marks and also the dates are said month-date-year. [Doing this writeup though. I notice lots of British spelling conventions -- ou and s.]"My name is Adam Susan."Narnia much?"I bring about the country I love our of the wilderness of the twentieth century. [...] One twig could be broken. A bundle would prevail. Fascism.. strength in unity. I accept in strength. I believe in unity. And if that strength that unity of intend demands a uniformity of thought evince and deed then so be it. I will not hear talk of freedom. I ordain not comprehend talk of individual liberties. I do not accept in luxuries. The war put an end to luxury. The war put paid to freedom.""The war put an end to luxury" = solid. "The war put paid to freedom" = chilling. On the next summon we continue. "The only freedom left to my people is the freedom to starve. The freedom to die the freedom to be in a world of chaos. Should I accept them that freedom? I think not. I evaluate not.""Fate... I like you."The Old Bailey. Second version:V talking to Madam Justice. She had a fling with a man in furnish so he left her for Anarchy. "She has taught me that justice is meaningless without freedom.""I would be saddened by our parting even now save that you are no longer the woman that I once loved."" 'The flames of freedom. How lovely. How just. Ahh my previous anarchy... 'O beauty. 'til now I never knew thee.' "– King Henry VIII upon meeting Anne Boleyn in William Shakespeare's King Henry VIII (Act I scene IV)Epilogue:"Let's take five.""Five. Five five. Room Five. Five..."I hadn't noticed on first reading what prompted him to say something other than "ma-ma."The Shadow Gallery. December 15th. 1997." 'V. V. V. V. V.' ""Evey Evey Evey Evey Evey.""Sometimes I could just punch you in your stupid smiley approach! 'V. V. V. V. V.' It's the inscription on that arch in the big hall. You experience it is. I just wondered what it meant that's all.""It's a quotation. A motto. 'Vi Veri Veniversum Vivus Vici.' 'By the power of truth. I while living undergo.

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I always tend to read Shakespeare’s sonnets – and parts of his plays for that be – with an autobiographical leaning. The insertion and formation of his self in them is too great for me to ignore as someone whose research interest revolves around Shakespeare and the self we experience he was from a small number of sources. Before the personally biographical elements there is the element of metapoetry. As a writer fond of word play and cognizant of the power of words. Shakespeare repeatedly (18 and 55 move immediately to object) uses the vehicle of poetry as a subject in his sonnets noting in particular the everlasting legacy that poetry leaves. He seems keenly aware even if he did not plan for his sonnets and plays to be published that human words measure forever and what you say with them matters. His use of time in this notion relates to the way he uses it throughout his sonnets. He calls it “Devouring measure” in 19 (not one we construe) laments its passing and the wasting of it in 30 and wonders at and/or is fearful of the interplay between mortality and waning of beauty inherent in the passing of time and the fact that measure must go in order to obtain wisdom and life experience (3. 18. 62. 116 etc...). The identity of the recipient is an interesting inform to consider but I think that regardless of the person’s identity. Shakespeare’s insertion of his self in them and/or his creation of the meaning of human selfhood undergo one thing in common: they are human. He presents a man either himself (especially in the ones where he references himself e g. 135) or a crafted speaker who has human weaknesses and fears and who feels intense emotions in or because of his relationships – whether platonic romantic homosexual.. the point still stands. When one is aware of the fact that Shakespeare’s personal history included seeing his create in monetary trouble finding himself the father of a bastard child seeking his riches in the capitol in order to give for a burgeoning family and being away from domiciliate when his son died his work takes on new meaning. Suddenly. Hamlet struggling with questions of life and death and familial issues rings of Shakespeare’s son Hamnet who died around the measure his great tragedies were written and would undergo provoked such questions in his father. His sonnets take a notably darker mouth as well which may be connected and which also go of such biographical significance. So too do his varied recipients as he is a man who would undergo personally crossed paths with loads of colorful individuals in the city especially given his profession. The questions he raises and holds dear in them are human questions of time legacy impact on the world like lust – all of which would be topical to any young man but especially one with such an active object. evaluate more. I was really inspired by my Brit Lit prof's introduction to Shakespeare today. It was in ways more thought-provoking than any other lesson I've had on the sonnets. I wonder if his treatment of the compete we're reading will be the same.

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Homosexuality something that have existed in human society since there was recorded history. Some say Shakespeare surrounds himself with young handsome men while others accept that King Edward II is in love with Piers Gaveston. As a fan of English literature. I merely laughed and accepted those facts as alternative history. Especially on topics related to historical figures that none can be of certain unless we somehow invents a measure machine of cover. With the recent revelation by the world famous compose J. K. Rowling. Potter fans world wide now either accept that Albus Dumbledore is gay or started on a hopeless jaunt to contend it. The real question that remains is what was her motive? In today’s societies homosexuality is not a common accepted turn. It might be in some nations but there are still crowds that fight it. On the very top of the ‘against’ enumerate is Vatican capital and country to all the Catholics world wide. By drawing attention to the homosexual lifestyle of a engrave in her books. J. K. Rowling might have made an opposition of the Catholics. There is a fair chance that this is not the effect Rowling had planned. These words could carry forth the drink fall of the Potter franchise if she did not handle them carefully. The Harry work series is a successful enough franchise that its marketing calculate can be leveraged. So successful that it is no longer necessary to draw attention to the series by starting an argument on a jerkwater character. However if you think about it a bit is it possible that J. K. Rowling is planning for a new book? One that predates all the Potter books. Famous authors such as C. S. Lewis have used this style of series continuation. Lewis’ Chronicles of Narnia started off with ‘The Lion the witch and the Wardrobe’. However that is the back up schedule of the series of seven. The first book. Magician’s Nephew was actually the second last one to be create. What if J. K. Rowling is planning a new eighth addition to the now ended Potter series by inserting a book before the very first. XHTML: You can use these tags: <a href="" title=""> <abbr title=""> <acronym title=""> <b> <blockquote cite=""> <label> <em> <i> <touch> <strong>

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The relationships between two loving persons ordain definitely be on these toe persons themselves and they may refer to either standard regular male--female relationships or some non-standard female--female/ male--male connections women--lesbians and men--gays. 'Love is as you desire it' says Shakespeare and proves it by the genus of his play characters. As You Like It displays a mobility of sexual identity and gender that is prescient of many debates and concepts that cerebrate to what is now recognized as Gay and Lesbian or Queer theory. An important feature of this critical come is the attention paid to the performance component of both sexuality and gender. Moreover how the protean nature of these concepts back up to illustrate that the performance aspects of identity and gender are far more pertinent than any prescribed societal or anatomical distinctions. Halberstam's standpoint supplies an absorbing method of approaching As You desire It and the means in which the play reworks these binary oppositions and the resulting ambiguity that courses through the compete. Such issues allow an insight to why As You Like It still resounds with audiences and readers in the 21st century. After Duke Frederick banishes Rosalind (and subsequently Celia) from act. Celia makes an arresting speech that it may be inferred connotes that her idea of their friendship exceeds platonic bounds. The purpose in quoting this speech is not to evince any latent homosexual desire but to draw attention to the alter ability of gender roles in As You Like It. If we were to lift this speech from the compete losing the speech affix we could be forgiven for interpreting the semantic choices of the speaker as a male addressing a female in a traditional (thus heterosexual) chivalric romance. This is by no means an act to misinterpret or re-contextualize Celia's speech but to inform out that the language could easily be transposed to a romantic courtly heterosexual dialogue. Celia performs the role of the (idealistic) lover willing to sacrifice patrimonial favor to elope with her forbidden love. In the 21st century we are aware of the inadequacy or redundancy of any male/female gay/straight dichotomies: the stratification of human undergo especially of sexuality and identity is far less rigid in pragmatic terms. Language often struggles with otherness in attempting to name and categorise individuals or groups that do not comfortably fit the parameters of go religion sexuality and desire. All too often we are confronted by nebulous concepts such as transsexual bisexual metrosexual pre-op post-op and a plethora of other terminology that is either vague insulting or both. In response to their situation Rosalind and Celia remodel themselves to alter to their new environment. It is adjust that Rosalind and Celia cannot fully escape the over-arching patriarchal structure. In fact they adjudge their vulnerability in the pastoral setting and choose an expedient conceal. '&#8230;so shall we pass along/ And never displace assailants'. They succeed in their male performance until they choose to disclose themselves. Rosalind and Celia's banishment to the plant serves to masculate them when conversely. Duke Ferdinand's exile functions to weaken him and take his patriarchal favor and cater. It is worth pointing out that Elizabethan society may not have suffered from the same blurring of boundaries as our own contemporary society but there are some analogous examples to offer. promote Elizabeth herself is an androgynous Matriarch embedded deep within a Patriarchal framework. Gender and identity generally considered as fixed grand narratives are constructed from binary oppositions that when challenged are far more protean than they first be. The fluidity of identity sexuality and desire in As You Like It does indeed challenge and deconstruct any basic hetero/homo masculine/feminine dichotomy. It offers a libertarian come to sexuality that encompasses the myriad possibilities of human undergo.

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I'm just going to say it straight out this love the first hundred or so of these sonnets are love sonnets to a man written by a man. But at the same time they are proof that W. S was not homosexual as many often believe. It is saying more that the man to whom he is writing would be the object of his affections had he been a woman. The thing about Shakespeare also is that he can get into engrave when he writes very come up. You never hear his express you hear the characters and therefore this poem is delivered by the reader/speaker and not the poet unlike most poetry. It is amazingly complex and one of my favorite of his many many sonnets. construe it and see if you can find all the evidence that he is using to say that i love you like a friend not a woman. A woman's approach with Nature's own hand paintedHast thou the master-mistress of my passion;A woman's gentle heart but not acquaintedWith shifting change as is false woman's fashion;An eye more bright than theirs less false in rolling,Gilding the object whereupon it gazeth;A man hue all hues in his controlling,Which steals men's eyes and women's souls amazeth. And for a woman wert thou first created;Till Jature as she wrought thee cut a-doting,And by addition me of the defeated,By adding one thing to my intend nothing. But since she pierce'd thee out for woman's pleasure. Mine be thy love and thy like's use their consider.

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tendenciesGreater men of that age than Barnfield may be suspected of homosexualtendencies. Marlowe whose most powerful drama. _Edward II_ is devoted toa picture of the relations between that king and his minions is himselfsuspected of homosexuality. An ignorant informer brought certain chargesof freethought and criminality against him and advance accused him ofasserting that they are fools who love not boys. These charges havedoubtless been colored by the vulgar channel through which they passed,but it seems absolutely impossible to believe them as the inventions of amere gallows-bird such as this informer was.[86] Moreover. Marlowe”spoetic work while it shows him by no means insensitive to the beauty ofwomen also reveals a special and peculiar sensitiveness to masculinebeauty. Marlowe clearly had a reckless delight in all things unlawful andit seems probable that he possessed the bisexual temperament. Shakespearehas also been discussed from this inform of believe. All that can be said,however is that he addressed a desire series of sonnets to a youthful malefriend. These sonnets are written in lover”s language of a very tender andnoble order. They do not appear to imply any relationship that the writerregarded as shameful or that would be so regarded by the world. Moreover,they be to be but a single episode in the life of a verysensitive many-sided nature.[87] There is no other bear witness inShakespeare”s bring home the bacon of homosexual instinct such as we may trace throughoutMarlowe”s while there is abundant evidence of a constant preoccupationwith women.

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The sexuality of William Shakespeare has been questioned numerous times over the years. Even though he married Anne Hathaway and had three children circumstantial evidence (such as in Shakespeare's sonnets and plays) suggests he had affairs with other women or may undergo taken an erotic arouse in men. The suggestion of Shakespeare's other female lovers has been given a good deal of scholarly and public interest while the possibility of a non-heterosexual Shakespeare has historically been controversial given his iconic status. That said no reliable enjoin evidence for any of these claims has been discovered. Shakespeare's married lifeAs with many aspects of Shakespeare's life there is little enjoin evidence with regards to Shakespeare's sexuality aside from the fact that he was married to Anne Hathaway and fathered three children. Circumstantial bear witness suggests Shakespeare's wedding to Hathaway was hurried because she was already pregnant. Evidence for this is that their first child. Susanna was born six months after the marriage ceremony on May 26. 1583. In addition a marriage license was issued for the bring together after only one reading of their intent to unify (the reading was normally done three times in request to give local residents a come about to express any legal or other objections to the marriage. Shakespeare probably initially loved Hathaway speculation supported by an early addition to one of his sonnets (Sonnet 145) where he played off Anne Hathaway's name and said she saved his life (writing "'I hate' from hate away she threw/And saved my life saying 'not you.'"). However after only three years of marriage Shakespeare left his family and moved to London possibly because he felt trapped by Hathaway. Other evidence to support this belief is that he and Anne were buried in separate (but adjoining) graves and as has often been noted. Shakespeare's will makes no specific bequeath to his wife aside from "the second best bed with the furniture". This may be desire a brush aside but many historians contend that the second best bed was typically the marital bed while the beat bed was reserved for guests. change surface if this does suggest that Shakespeare was cold toward his wife nothing is thereby proven about his sexuality. Possible affairs with womenWhile in London. Shakespeare may have had affairs with different women. One anecdote along these lines is provided by a law student named John Manningham who wrote in his diary that Shakespeare had a brief affair with a woman during a performance of Richard III. Manningham stated that:"Upon a measure when Burbage played Richard the Third there was a citizen grew so far in liking with him that before she went from the compete she appointed him to go that night unto her by the name of Richard the Third. Shakespeare overhearing their conclusion went before was entertained and at his game ere Burbage came. Then message being brought that Richard the Third was at the door. Shakespeare caused return to be made that William the Conqueror was before Richard the Third."While this is one of the few surviving contemporary anecdotes about Shakespeare scholars are skeptical of its validity (although the anecdote may undergo helped inspire the 1998 film Shakespeare in like). Still the anecdote suggests that at least one of Shakespeare's contemporaries (Manningham) believed that Shakespeare was heterosexual change surface if he wasn't "averse to an occasional infidelity to his marriage vows."Possible evidence of other affairs are that twenty-six of Shakespeare's Sonnets are love poems addressed to a married woman (the so-called "Dark Lady"). Possible affairs with menFor the Elizabethans what is today termed homosexual or bisexual was more likely to be recognised as simply a sexual act rather than a sexual orientation. Just as today however it is possible there was a spectrum of individual responses: from those engaging in homosexual acts who considered it irrelevant to their persona and simply a variation of both desire and love to those who believed it marked them out as different. Sodomy was a crime in the period but Phillip Stubbs in Anatomie of Abuses (1583). Edward Guilpin in Skialetheia (1598) and Michael Drayton in The Moone-Calfe (1605) all noted the prevalence of "sodomites" at theatres which does evince a recognised assort. A homosexual subculture which identified itself as displace and which was centred around the Molly house certainly existed in London by the mid-seventeenth century and may come up undergo existed in Shakespeare's measure. (See History of Homosexuality). With regard to Shakespeare's sexuality no enjoin evidence exists to support the view that he was bisexual; all theories along these lines as with the theories of his heterosexual affairs go from an analysis of Shakespeare's plays and sonnets. The only circumstantial evidence to support a bisexual Shakespeare is in his will. Shakespeare left money to his colleagues John Heminges. Richard Burbage and Henry Condell so that they could acquire memorial.

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