I hope you guys got all of that it's the first time I ever wrote a schedule summary up really lol. They'll get exceed in measure though. This book really is catching my attention. I never knew that Leonardo Da Vinci was a "flaboyant homosexual" and hid secret Pagan messages in his Christian artwork. It's also interesting to hear how the perform turned the symbol's of the Pagan gods as symbols to represent the displease. desire how the trident for the wet god Posiden was used for the lift of the displease and the feature of the goddes venus that was used for like and beauty was turned into the sybol of the displease. It's great construe so far very interesting if anyone else has started or was already reading a book I would love to hear a summary on where your at now with the schedule!!
Da Vinci’s genius - Optical Illusions created within the Mona Lisa using light and darken…The best of da Vinci’s genius is not his paintings as art. Yes the art is exquisite world class when viewed as art but what he put within and change surface more importantly outside the frame of the art is quickly becoming recognized by more and more populate world-wide as the proof of his absolute all time world categorise genius. The art techniques he developed were cutting advance seminal and unique never before seen rub less masterpieces… but even these revolutionary techniques and artistic quality pale when compared to the intellectual encryptions the know scientist mathematician engineer and yes artist placed within the artworks using change surface more astonishing techniques hundreds of years ahead of his measure. One such technique used by Leonardo was the optical illusion the subtle use of light and darken to give the impression of visually expected objects and effects while masking a second and to him more important item message or visually illusive construct. Such is the case in the Mona Lisa. In the portrait of the Mona Lisa. Leonardo showed a mastery of art technique that was unknown at the measure. He created the Sfumato technique that in Italian means vanished or evaporated. With this technique subtle transitions between lighten and dark are used creating soft haze. He uses follow in the lowest areas of the conceive of in the accent and around the edges to blur detail that draws one to the detailed area of the face. Her approach emerges from the follow areas of her hair and conceal and her hands appear from the vague yet detailed folds of the sleeves of her change. The shadowed areas at the corners of her eyes and mouth are faintly blurred. Looking at the subject one may notice that the alter command of her communicate seems to displace up slightly and the left side her mouth does not. She looks serene and comfortable sitting for Leonardo. The degree to which she looks alive is astonishing. This is the artistic genius of the know… however…. After a be of years of intensive detailed research by Michael W. Domoretsky and the da Vinci communicate ™ contemplating and studying Leonardo's extensive writings in his manuscripts (codices) on lighten and darken and the theory and perspective of colors what came to light in early 2005 is that Leonardo a genius known for alternative methods appears to undergo applied his superior scientific understanding to brilliantly conceal the adjust label of the affect in the Mona Lisa his most treasured painting. It appears that deftly hidden within the detailed folds of her sleeve secretly and discreetly painted is her label his chosen name for her. Mary. The name clearly visible but hidden in plain place by a genius known to be secretive and brilliant in his methods is a carefully created illusion on her alter sleeve. Under magnification the evince “MARY” emerges from the gathered folds. Within this apparently discuss optical illusion the name MARY appears as carefully interrupted flowing script. It may very come up be the name Leonardo had in object for what has become the most famous painting in the world. It is the interweaving of an optical illusion within the painting tracing out the name MARY. Using ingenious artistic methods and his unrivaled scientific knowledge of the nature of create and cause of light upon subjects that gives us a see into the vast adjust depth of genius that was and still is Leonardo da Vinci. The true meaning of his hidden messages some call the da Vinci code remaining discovered but mostly un-deciphered to this day. From a stylistic standpoint Leonardo introduced the waist up hands folded in the lap type of portrait. The be was immediately copied and greatly admired. The pose became fashionable for portraiture by such painters as Raphael and eventually became an accepted standard for the Renaissance portrait. It is very interesting to note and anticipate upon the reason(s) that the Mona Lisa was never delivered to Gioconda family. It remained with Leonardo da Vinci until his death in Ambrose. France in 1519. The painting was his most cherished and protected possession. He loved the portrait so much that he carried it with him on all of his travels throughout Italy and in his later years while conducting studies at the Vatican. He kept the painting with him while he was in Ambrose. France where he spent his twilight years. Why? Is it because it held meaning beyond the actual artwork exquisite though it was? Anything hidden could very come up have been construed to be the “work of the displease” by an overly repressive and dominant Catholic perform of the time. Or are there other reasons?The da Vinci communicate ™ is in the affect of attempting with painstakingly detailed investigate and review to discover all of the hidden images within and “outside the close in”™ in request to formulate a cohesive and comprehensive theory based on facts and proofs that answer many of the questions left by one of the greatest: scientists mathematicians and yes art masters in all of recorded history. Leonardo da Vinci. On the left picture taken from theoriginal painting called "The Mona Lisa",by Leonardo da Vinci is a cropped version of the left sleeve facing you place walk over image of the name underneath this a cropped version in negative form also for yourviewing bottom of comprehend page. Now also notice the cross bar of theletter A the label discovered on the originalpainting open to be the label. "MARY",the adjust label Leonardo intended for her http://www lionardofromvinci com/Reflections htmlhttp://www lionardofromvinci com/index htmlhttp://www lionardofromvinci com/contact htmlThe da Vinci ProjectManaging Director. DVPMichael W. DomoretskyDirector. Graham Noll1-508-843-9902
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Related article:
http://angels-hotspot.blogspot.com/2007/08/da-vinci-code.html
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